West Grand's Greatest Hits
A WEEK-BY-WEEK, UP-TO-DATE GUIDE TO THE BOULEVARD
David Ruffin has been dethroned.
OK, so this has happened in a modest corner of the Motown universe, but given that the background story of his “Walk Away From Love” was the single most-read West Grand Blog edition for the past several years, it’s noteworthy. For yours truly, at least, as this update is written.
The overall numbers are gratifying. More than 98,000 “unique visitors” have, er, visited since WGB’s February 2017 debut. And many of you continue to do so regularly, from all over the world. So much so that Motown’s All-Time Top 50: Discuss has now become the most popular post, with its listing of all the singles which spent time at the top of the Billboard Hot 100 between 1961 and 1988, ranked by peak position and chart longevity. At the summit of that particular countdown? “Endless Love” by Diana Ross and Lionel Richie, with nine weeks at Number One and an extraordinary 27 weeks on the chart.
Frances Burnett: still calling in the Top 5
The runner-up of the top 5 WGBs remains Motown’s Number Ones, while David Ruffin: Who He Was drops to third place. Slipping from third to fourth position is The Blues of Frances Burnett, while Arresting Levi Stubbs slides to fifth, dislodging Marvin Gaye: Phenomenon from the top 5.
The continuing popularity of the Burnett piece has been a delight, especially since few know who she was, and despite the fact that that she recorded an early Smokey Robinson jewel, “Your Mother Called On Me Today.” (You can find Kim Weston’s later recording of the song on YouTube and elsewhere, but Burnett’s superior original is tough to track down. Try this link, at about 29:45 minutes in.)
And so to the many other destinations on the Boulevard, subdivided into the following categories: Stars and Superstars; Songs and Songwriters; The Boss; Musicians and Backroom Believers; Motown Abroad; Releases, Re-Releases, Reviews; Awards and Charts; Books, Movies, Websites; Images and Style; Places; Looking Ahead, and Back.
The blog post dating is British: that is, the day is shown first, followed by the month and year. Plus, the title contains a link to each particular blog post. Oh, and feel free to add your comments. They will be read. “Unique visitors” means what it says.
STARS AND SUPERSTARS
So Hard to Say Goodbye (23/2/24) Remembering the Spinners’ time at Hitsville U.S.A. upon the sad departure of original group member Henry Fambrough. Not forgetting G.C. Cameron.
Stevie’s Number Ones (24/11/23) His total of chart-toppers, and what those involved remembered about them. Smokey Robinson noted, “Berry used to say to us, ‘We got to get them in the first ten seconds.’“ Stevie learned the lesson well.
Delivering Motown History (27/10/23) Recognition and appreciation of the Marvelettes’ career is renewed as founder member Kat Anderson takes her leave. “I sang the highest and was the tallest,” she once recalled.
Never Too High (1/9/23) As Innervisions marks its 50th anniversary, might there be a “deluxe expanded” edition in prospect? Stevie Wonder certainly was laying down tracks aplenty with Malcolm Cecil and Bob Margouleff. Those master logs…
Motown’s Top 10 Tragedies (28/6/23) An account of those who died too soon, and what their peers remembered about them. Missing you, all.
Quitting Motown. And Then… (2/6/23) The stars who left – Mary Wells was the first – and their commercial fate elsewhere. For some, it was better. For others, not so much. And then there were those who came back.
Temptin’ Temptations (14/3/23) For years after Ain’t Too Proud opened on Broadway, the show makes its way across the Atlantic to London. And Smokey Robinson reflects on an earlier Temptations dramatisation.
Smokey: Life After Motown, Part 2 (31/3/23) A second glance at Smokey Robinson's post-Motown productivity, involving plenty of friends and, er, a Cracker Barrel deal. Oh, and a gold-certified single, too. That makes it better.
Smokey: Life After Motown (24/3/23) A backwards glance at Smokey Robinson’s post-Motown recording work (and an album he made during a brief return) and the mixed results in the marketplace. Double good nothing?
The White Nightingales (7/10/22) The first white women signed to Motown: Debbie Dean, Conny Van Dyke, Bunny Paul, Connie Haines, Chris Clark.
A Life Well Lived (30/9/22) Forty years after “I’ve Never Been To Me,” Charlene wants back in the game. To help, she turns to British singer/songwriter Paul Stuart Davies.
A ‘Monument’ on the Airwaves (27/5/22) Stevie Wonder’s KJLH serves a California community. “Listening to the radio when I was a kid was what got me interested in music,” he said after acquiring the station.
From Plainfield to the Motor City (8/4/22) George Clinton graduates from Jobete U, and five town blocks in New Jersey are named Parliament/Funkadelic Way in his honour.
Marvin: on Vinyl and (Finally?) on Film (1/4/22) The return of What’s Going On at 33rpm (premium vinyl, what else?) and the promise of Marvin Gaye’s life on screen, dramatised.
Reaching Out, Sounding Strange (15/10/21) Smokey Robinson thought it was too different, and the Four Tops felt the same way. But the man with the deciding vote was convinced, and a Motown masterpiece took to the airwaves.
A Longer ‘Life,’ After All (3/9/21) How Stevie Wonder’s idiosyncratic film soundtrack "liberated and inspired a new generation of music makers.
Rick to the Rescue (23/4/21) The king of punk-funk delivers Motown’s biggest-selling album of 1981, fuelled by two promotional videoclips which have since racked up more than 100 million views between them. Give it to them, baby.
‘Go Back to the Studio’ (19/3/21) Gladys Knight & the Pips bid goodbye to Motown with the help of a up-and-coming songwriter from Mississippi.
Prime-Time Smokey (19/2/21) His 1985 “music-comedy” TV series was a strange creature, full of stars of every stripe – but, for the most part, lacking in laughs.
Que Sera, Sera (12/2/21) Mary Wilson touched lives, all over the world. A Supreme lady, always to be remembered.
Payne and Pleasure (15/1/21) The remarkable tale of Detroit daughter Freda Payne, then and now. Who came to see her at those Afro-Cuban dance classes? Someone whose name you know…
Finding the ‘Real’ Marvin (20/11/20) How the Originals (and producer Richard Morris) helped to give shape to Gaye’s evolving music landscape with a chart-topping throwback.
The Ultimate ‘Girl’? (23/10/20) Diving into the backstory of the CD release (finally!) of 1968’s Diana Ross & the Supremes Sing and Perform “Funny Girl.” Mary Wilson, for one, is happy about it.
Mixing Music and Politics (16/10/20) From “Dancing In The Street” to “Can’t Put It In The Hands Of Fate,” Motown’s stars engage in politics, in one way or another.
Hitsville’s Daughters and Sons (8/5/20) The offspring of Motown’s stars (and its founder) pursue careers in singing and acting, designing and deal-making. Playing tennis, too.
No Synergy For Sammy (6/3/20) Finding hits for Sammy Davis Jr. was hard. Despite the best intentions, Motown couldn’t manage it, even with a joint-venture label.
A Matter of Time, and Music (14/2/20) Smokey Robinson shows no sign of slowing down as he approaches his 80th birthday, and his songs continue to be recorded by a new generation of artists.
The Soul Sounds of CC (22/11/19) Chris Clark raises a cheer – and a hemline – at London’s Saville Theatre.
A Legend in D.C. (18/10/19) What’s Going On returns to the Kennedy Center courtesy of John Legend.
Walking into History (13/9/19) The Temptations take their place on the Hollywood Walk of Fame.
This Way to Houston (3/5/19) A long road and, eventually, a Grammy for Thelma. She took command.
The Boss, the Music, the Dreams (26/4/19) The quest for respect, the need for accuracy: documenting Diana and the Supremes.
A Supreme Party, But Where’s Flo? (22/2/19) A white chiffon dress from Saks, someone’s missing. How many Detroits?
A Tale of Two Actors, Singing (15/2/19) The Motown “sound” of Albert Finney and Tony Martin, not to mention a “humongous” party.
(He’s A) Road Runner (25/1/19) Bringing Jr. Walker to Europe: “You’re jiving, but I’m driving,” he said. And the result was a speeding ticket.
By Dawn’s Early Light (5/10/18) The fourth game of the ’68 World Series and time for the national anthem. Who steps up to the microphone?
The Queen of Soul (17/8/18) Paying tribute to Aretha on her passing, with the words of those who knew her.
The Birthday Club (11/5/18) Cake and candles for Mary, Stevie and Barney.
The Blues of Frances Burnett (4/5/18) The Memphis starlet who recorded the single most-sophisticated song ever written by Smokey Robinson. (I know, I know: discuss.) Also, there’s her bookie husband, who once offered Berry Gordy $10,000 for a half-share in his start-up.
Smokey’s ‘Big Time’ Education (27/4/18) Much is learned, a fortune is lost. And getting up at 6:30, to be on set by 7.
Truckin’ to the Top (6/4/18) Frank talk about Eddie Kendricks (and Leonard Caston). “Eddie really had to be produced.”
Lionel Richie: from Student to Teacher (16/3/18) Tennis with the chairman, and exploring an exit over breakfast. “I was really flustered.”
David Ruffin: who he was (10/11/17) The tale of the former Temptation’s “Walk Away From Love,” including recollections by its songwriter. “Everybody was so knocked out, especially when he went up to the high note,” said Charles Kipps. “We were all saying, ‘That’s it, that’s it.’ And David was saying, ‘No, I can do better, I can do better.’”
Arresting Levi Stubbs (29/9/17) In which this god of music got into trouble with the law in London. “They didn’t arrest him at first,” recalled one witness. Sounds like a “Simple Game,” although we don’t know whether there were candles at this particular séance.
Blow the house down, Junior (22/9/17) The Chuck Berry business model, without the underage girls.
Stevie reaches higher ground (10/6/17) In which the New York Times bestows praise: “Wonder is a gifted young artist who is still in the process of growth.”
More Marv Johnson (27/4/17) Breaking up with a girlfriend, a $20 loan, and on the road in Britain.
Marvin Gaye: Phenomenon (17/4/17) If ever there was an autobiography in a single song, this is it. Marvin cut “Piece Of Clay” on a summer Sunday in 1972. It was the work of Gloria Jones and Pam Sawyer, and as powerfully personal as anything he had written himself.
The other Marvin, and a mystery (1/4/17) A lack of respect, or difficult to like? Marv Johnson feels unloved.
Well, all right, you freaks (20/3/17) Rick James at Motown: from a humble speech to a towering inferno.
September song (13/3/17) Did Marvin join Hitsville before that Christmas party?
SONGS AND SONGWRITERS
A Talent Taken Too Soon (17/12/23) This kid “can tell you what notes are on your doorbell,” Bobby Taylor told Berry Gordy about this young Canadian talent. The boss proved to be impressed by Tom Baird.
That Mysterious Folkie (25/8/23) Harvard graduate Booker Bradshaw joins Motown, cutting a folk music album that is never released. Still, his career later took flight aboard the U.S.S. Enterprise.
Raining In His Heart (4/8/23) The tragic tale of Rodger Penzabene, whose personal troubles lent an awful reality to the lyrics he penned for the Temptations, Gladys Knight & the Pips, and others.
Hot Wax and Honey-Sweet Hits (21/3/23) How Hot Wax/Invictus hitmaker Greg Perry nearly joined Motown, but for the terms of the contract and advice offered by a friend, Brian Holland. There’s a Chevrolet Corvair involved, too.
The Strength to be Strong (3/2/23) “It is a love of mine for life,” mused Barrett Strong about his work and his career. Here are reflections on this mighty “Money” man and his vital role in Motown’s success, almost from day one.
A Lonesome Hunter (28/10/22) An introverted soul, Ivy Jo Hunter nonetheless was responsible for some of Motown’s finest songs, including an anthem for the ages, “Dancing In The Street,” and the forever-melancholy “Ask The Lonely.”
How Sweet It Was (26/8/22) Remembering the extraordinary talents of Lamont Dozier, the songs he wrote, the hits he produced, and the artists he helped to stardom.
Whose ‘Thing’ Was It? (29/7/22) Did the Isley Brothers begin recording “It’s Your Thing” while still under contract to Motown? It took decades to settle matter, and in court, of course.
Forward into the Past (13/5/22) Motown sends its hits back to the front line. You remember Joe Harnell, yes? Maybe the Impact of Brass? Then there’s Blinky, among many others.
‘Reach Out’ – Registered (22/4/22) The Four Tops’ classic is inducted into the Library of Congress’ National Recording Registry. What took so long?
Inspiring Music Row (24/9/21) The Motown songs which went to Nashville. Did you hear about Smokey duetting with Tammy and Dolly?
How Do You Plead? (17/9/21) The songs which (allegedly) stole from others, and what happened when the lawyers got involved. Was it “1-2-3” or “Ask Any Girl”? And Stevie Wonder goes to court.
A ‘Life’ Story, Retold (30/4/21) It may be Motown’s most-recorded song, with more than 250 different versions to date. Among them are some of the biggest stars of the past 50+ years, including (of course) Stevie Wonder, Frank Sinatra and Tony Bennett.
Motown’s Hot 100 Songwriters (9/2/21) Creators of the crown jewels, ranked by their Billboard chart entries. Familiar names alongside those less well-known, but hitmakers all.
Repolishing Jobete’s Jewels (4/9/20) Classic Motown copyrights continue to attract contemporary remakes in a variety of styles, while even one or two unlikely choices turn up. Remember the soundtrack music of Berry Gordy’s The Last Dragon, anyone?
Time in a Bottle (21/8/20) Frank Wilson’s signature song continues to be loved – and sold. Plus, its latest use in a commercial, for the premium whiskey brand launched by his daughter.
Norman…Is That You? (14/8/20) The works of Whitfield, one or two of his rare interview appearances, and the hopes for a documentary.
Something Old, Something New (10/7/20) The story of a song: one of Smokey Robinson’s finest, and a life-changing moment for Berry Gordy.
Optimism Amid the Skyscrapers (5/6/20) “Ain’t No Mountain High Enough” continues to inspire, not least in one of New York’s coronavirus hospitals.
A Sweet ‘Boy’ and a Pacesetting Trio (22/5/20) A stunning piece of secular gospel from Mary Wells, as Holland/Dozier/Holland develop their skills and their sound.
The Time Is Right (28/2/20) An unsung hero? Mickey Stevenson has a catalogue full of Motown jewels, but maybe it’s the musicians he recruited who’ll be his legacy. Thank Gladys Hampton for that.
Celebrating Marilyn’s Magic (7/2/20) A look at the work of Marilyn McLeod ahead of a concert tribute to this remarkable, Grammy-nominated songwriter/singer. “Love Hangover,” for one, never loses its sparkle.
A Half-Century of Wanting (31/1/20) As the Jackson 5’s “I Want You Back” marks its 50th anniversary atop the Billboard Hot 100, the many remakes of the song come to mind.
A Miner’s Gold (24/1/20) A Chess hitmaker makes the journey from the Windy City to the Motor City.
Come See About These (1/11/19) The Jobete catalogue still gains admirers, including Martina McBride, Bette Midler – and Wonder Woman
Put the Speakers in the Window (20/9/19) Songs about Hitsville. “Bring over some of your old Motown records,” sings Rod Stewart.
Stevie and Clarence, Together in the ‘Wind’ (19/7/19) Wonder recorded Dylan’s anthem three years earlier than previously thought.
The Mountain, Climbed (8/3/19) The ascent of Nick Ashford and Valerie Simpson. “Songwriters should be prepared to go through a lot of stuff to get to the real thing.”
For Love or Money? (1/3/19) Honouring Marvin in song, daytime and night-time.
Shining Shoes in L.A. and Detroit (30/11/18) Eddie, sweet Eddie, as remembered by a songwriter. Plus, a postscript too good to omit.
Give Them the Keys (21/9/18) “Being a woman helped,” says Valerie Simpson, “but not until they knew you were qualified.”
Wine, Women and Song (14/9/18) Motown stars put their “brand” to work. Do you know where you’re sewing to?
A Knight’s Work, With Help (24/8/18) “If I Were Your Woman” took 30 minutes. “It came from God, it came from heaven,” says Gloria Jones.
B-4 ‘Do I Love You’ and After (13/7/18) Even more about the Frank Wilson session which yielded the highest-value Motown single (in terms of money, that is) of the last 55 years. And, by the way, there was a British jazzman playing on the track.
‘You Gave Me a Monster’ (6/7/18) Ed Townsend’s vital role in the making of Let’s Get It On. “Life is life, and let’s get on with it.”
Reimagining the Past, with Friends (25/5/18) Lamont Dozier sings the H/D/H songbook, with some friends: Lee Ann, Gregory and Graham, among them.
Jackson 5: ‘Back’ to the Future (18/5/18) In Britain, “I Want You Back” outstreams every other 1969 track. “Get Back,” indeed.
The ‘Ghost’ of Taylor’s Past (30/3/18) A determined Dean, indebted to Holland/Dozier/Holland. And “Jane” yields a couple of guineas.
Remembering Leon Ware (16/2/18) A soulful, spiritual songwriter: “I was with Motown before Motown was Motown.”
Where There’s Smoke (26/1/18) “Being With You” lives on, from Kim to Katy (and Mary J, too).
The University of Jobete (15/12/17) A forthright Texan talks about her songs, her time at Jobete, and the racism encountered.
Stevie’s signature: still delivering (8/12/17) “Motown had one Stevie Wonder.” Songwriter Lee Garrett admits they didn’t need another.
New ways but ‘Stoned Love’ stays (13/10/17) A teenager can’t believe his luck. “Go get him a 7-Up, Mary.”
Jimmy at Jobete: an intriguing Webb (6/10/17) Motown’s California crew were “colour-blind, selfless and generous,” recalls the kid from Elk, Oklahoma.
Feel It Still (8/9/17) Robert Bateman is remembered as “Postman” continues to deliver, six decades later.
Taylor Made Soul (24/7/17) The man to whom the Jackson 5 owed so much. “Come on, motherfucker, you can hit that note.”
‘Reet Petite’ is 60 (12/7/17) But what would have happened if the record had not been a hit?
Sweet songbirds (23/6/17) A Quality Control meeting decides. “Beads of sweat must have been popping out of my head,” admits Nick Ashford.
Songs, signatures and ‘Money’ (2/6/17) “We learned everything by trial and error,” confesses Janie Bradford. “We were all in our mid-teens and wharever.”
Higher and Higher (26/5/17) Motown’s musicians go moonlighting, and Jackie Wilson climbs the charts again.
Invoking the 5th (22/5/17) A battle rages, producer Hal Davis falls under suspicion, and he retreats with his Remy.
Hail, Stevie, and (of course) happy birthday (13/5/17) Sylvia Moy remembers her parents, while Hank Cosby takes a youngster to church.
A Capitol letter about the Beatles (9/5/17) A financial shot in the arm for Jobete Music. “It’s your good fortune that one of the songs is yours.”
Marvin Gaye: Phenomenon (17/4/17) As noted above.
Sylvia and Stevie: inspiration and influence (9/4/17) One lucky night at Detroit’s Caucus Club, with Marvin and Mickey in the room.
THE BOSS
It Takes Two (10/2/23) Berry Gordy and Smokey Robinson are celebrated as “Persons of the Year” by the Recording Academy’s philanthropic arm, MusiCares. A cavalcade of artists, young and old, turn out to honour the pair, from the Temptations to Trombone Shorty, from Stevie Wonder to Samara Joy.
Outrunning the Obstacles (5/11/21) A look back at Berry Gordy’s first major interview with music industry “bible” Billboard, and the philosophies which guided this “competent, cocky kid” to greatness, and into the history books.
The Winner’s Circle (27/8/21) Berry Gordy’s interests outside work included owning and racing horses. He wasn’t the only one: check the thoroughbred activities of Eddie and Brian Holland, David Ruffin and Barney Ales, not to mention Motown rival Joanne Jackson.
To Be Loved and To Leave (27/9/19) “It is time for me to spend my next 60 years reflecting on how fortunate I am, how much I appreciate and love all of you and how wonderful my life has been.”
Happy Birthday, Mr. Chairman (28/11/19) Motown memories from BG himself. “I was just a competent, cocky kid who felt I knew a lot more than I did.”
Writing his own Libretto (18/4/19) Hats off to Berry Gordy, he runs Motown like a boss/He dominates Top 40 and he banged Diana Ross/He wrote his own libretto, which is really kind of ballin’/He took every Motown classic, and he said, ‘I’ll put ’em all in!’
Deal or No Deal? (28/6/18) Selling the family jewels, after a momentary wobble. Sorry, Dick Griffey.
‘To Be Loved’ (24/11/17) A visit to Bel Air, a lifetime to arrive. Evian in an ice bucket, and the No. 3 glasses.
Mother Gordy (5/7/17) What Bertha bequeathed to her family and, thus, to the rest of us.
A “shocking” discovery (26/3/17) If BG could do anything over again? “I would probably have tried to figure out [how] not to have lost Diana Ross,” he tells an audience at (where else?) Yale.
MUSICIANS AND BACKROOM BELIEVERS
Aurora Days and Nights (26/1/24) The first-hand memories of an early Motown believer, Mel Kanar, whose job was to get the records played. He also happened to write songs in those woodshedding and sometimes difficult days.
The Young Ones (29/9/23) A father and son play key roles at Motown in Los Angeles. “Stevie Wonder would never come in the building before I got there,” suggests Lee Young, Sr. Meanwhile, the company’s 1980s cash cow, The Big Chill, arrived via Lee Young, Jr.
Got a Job: Reading Berry Gordy’s Mind (5/5/23) The first bandleader in the Snakepit was pianist Joe Hunter, whose job was to understand and help to create the music of Motown’s beginnings. “I let him use me as his robot,” he said of Berry Gordy. And what beginnings they were…
All Families Have Fights (2/9/22) Stories of woeful wedlocks, namely, those of Brian Holland and Jeffrey Bowen. Caught up in the troubles of one of them was Diana Ross.
American Soul Man (24/6/22) Motown’s storied A&R chieftain, William “Mickey” Stevenson, gets overdue recognition as a songwriter, and remembers when he turned down signing Wilson Pickett.
A Time of Fire (6/5/22) A pilot of the airwaves, Magnificent Montague, spins and burns. He also lectures Berry Gordy’s team about how to advance and prosper. Later, he even works at Motown.
A Vexatious Admirer (29/4/22) California’s Ray Dobard studied the Motown model — but wasn’t beyond suing the company, too.
Long Tall Texan (23/7/21) When Motown first added country & western to its bow, an unusual fellow from Dallas brought in artists and produced the records. And then there was “Randy, The Newspaper Boy.”
The Glue of Robert’s Gibson (9/7/21) The guitarist whose opening riff has helped to make “My Girl” one of the most-streamed pieces of music in the digital era. And Robert White impressed his peers with his seriousness as well as his chops.
A Moonglow Rising (18/6/21) The man in charge of Motown’s pioneering Artist Development department. Oh, and he discovered and mentored Marvin Gaye. A profile of the remarkable Harvey Fuqua.
Six Brave Souls (14/5/21) The successors to Berry Gordy at the top of Motown Records, after he sold it, were full of ambition and optimism when each took the job. What they had to say about it makes for interesting reading, in retrospect.
Let George Do It (16/4/21) Who among Motown executives during the firm’s heyday would hand out copies of Mao Tse-tung’s “little red book”? Copyright attorney and BG confidant George Schiffer, whose other credentials included securing Motown’s first movie soundtrack album.
The Family Spirit (26/3/21) A profile of Berry Gordy’s “very first real secretary,” and two more women whose dedication to Motown spanned decades.
Black Power, Black Forum (12/3/21) A trio of executives take Motown into the spoken-word business, and gain a Grammy with the provocative words of Rev. Martin Luther King.
The Good Sheppard (5/3/21) A promotion-man-turned singer becomes Motown’s most successful country music star. Pat Boone comes along for Melodyland’s ride, too.
Of Angels and Teddy Bears (26/2/21) Who managed Motown’s money? The task fell mostly to a pair of brothers in Detroit, Harold and Sidney Noveck, otherwise known to one of the company’s senior execs as the Angels of Death.
A Woman’s Way (22/1/21) Three of the women who helped to clear the path, and shaped what Motown Records became. “They ran the show,” agreed Berry Gordy.
Gentleman Jones (11/12/20) The man whose job was selling Motown albums back in the day. And how much would it take to put away a DJ?
A Weekly Diet of Soul Sauce (13/11/20) In the late 1960s, Billboard’s R&B editor — covering Motown and much else besides — was a white guy. And it was awkward.
Rosalie’s Tower of Power (30/10/20) This Leamington native was responsible for the sales of millions of Motown records, just across the Detroit River at “the blackest white radio station on earth.”
In Loving Memory (24/7/20) She died prematurely, but left an indelible impression on all who knew her. The story of a Motown sister, Loucye Wakefield, and the music made in her honour.
Swingin’ Robin Seymour, Motown Booster (29/5/20) On WKMH Dearborn, he was one of the first Top 40 DJs to spin Motown records. Later, his Teen Town and Swingin’ Time TV shows were vital platforms for The Sound of Young America.
A Mountain Too High (15/5/20) The optimism and the outcome of the late Andre Harrell’s brief time as president of Motown.
Barney Ales, R.I.P. (24/4/20) A heartfelt tribute to the man who got the records played and the company paid. “The day Barney was introduced to us,” said Mickey Stevenson, “he became like a foundation, the rock of the company.”
The Mad Russian of Hastings Street (3/4/20) A card-playing, cantankerous emigre was once among Detroit’s most important music men, and his customers included a certain Berry Gordy.
The Second Czar (20/3/21) Marketing Motown to maximum effect in the 1980s was the responsibility of a record industry veteran, Jay Lasker. That, and telling Stevie Wonder what he really thought of the superstar’s latest.
The Ballad of Jeana Jackson (21/2/20) An early eye-witness at Hitsville, this Hartford native got to know the boss, and some of those who’d met him on the way up).
A Prince of Promotion (5/7/19) Motown’s national promotion director was a force of nature, a V.I.P. with Soul.
Nowhere to Run (7/6/19) The crimes of Lawrence Horn and Jack Goga, the murder of Ralph Thompson.
Wall of Fame (10/5/19) Motown’s people, listed alphabetically, one by one, on a theatre wall.
‘Money,’ Poetry and Philanthropy (29/3/19) Lyric, rhyme and prose from one of the “first five.”
The ‘Fingertips’ Man (7/12/18) “Beans” Bowles transcribes for Joni, and takes a hit for honesty.
A Bass Odyssey (9/11/18) Like father, like son. The Jamersons, senior and junior, and musicianship beyond imagination.
Masekela + Motown: a tough crusade (2/2/18) Stewart Levine talks Chisa! “It’s an exclamation people make when the music’s cooking.”
Talkin’ quiet & sayin’ plenty (29/1/18) Remembering British journalist Cliff White, and his “Granny.”
A scene from ‘Motown The Musical’ (3/11/17) A salesman’s account of racial prejudice in the Crescent City: “You don’t have a reservation.”
Empowering Marvin Gaye (21/8/17) David Van DePitte helps MPG to carve a music monument.
The Commodores’ wingman (2/8/17) James Anthony Carmichael “brought our music to fruition,” says drummer Walter Orange. Here’s how.
Shapes and sounds on Sunset (4/5/17) Motown’s early adventures in California, although it’s “no thanks” to the Versatiles.
MOTOWN ABROAD
A Journey with the Jackson 5 (22/9/23) The brothers from Gary, Indiana reach the U.K., while a would-be American journalist preps their fan club and joins them on the road. “I heard a scream,” says Robin Katz, “and the next thing I knew, hundreds of us were being pushed up against the [airport] customs wall.”
What’s in a Name? (16/6/23) The Spinners must add Detroit to their name, sending the value of one of their U.K. single releases to the stratosphere. Maybe you even remember that Clifton Record Shop auction.
Live and Kicking in Amsterdam (20/1/23) Financial “equations” incentivise Marvin Gaye to play his first-ever concerts in Europe. After U.K. dates, he heads to the Continent for Amsterdam. Among those in the audience there: Patti Smith.
British Motown Chartbusters 2 (18/11/22) This time, a look at Hitsville’s hit albums in the United Kingdom of Great Britain and Northern Ireland. No surprise to learn that the Supremes scored the company’s longest-running Number One there.
British Motown Chartbusters (4/11/22) 168 Top 20 hits across three decades, and Stevie Wonder leads the pack. Jimmy Ruffin’s “What Becomes Of The Brokenhearted” even reached the Top 10 on two different occasions
Fit for a Queen (10/6/22) Diana Ross’ special relationship with Great Britain. You watched her summertime salute to Queen Elizabeth II, at Buckingham Palace, right?
From the World to West Grand (22/10/21) There’s a select club of singers and musicians from outside America who have been signed to Motown Records. Check out the backstories of Dubliners, defectors and Dutchmen. Dinner with the Four Tops, anyone?
Nothing ‘Going On’ (21/5/21) What’s Going On is revered in Britain today, just as it is elsewhere in the world. But when Marvin Gaye’s album was first released in the U.K. 50 years ago, the reception was decidedly cool.
London Calling (2/10/20) When Motown sought to sign and break British talent, once, twice and now thrice. Dan The Banjo Man, anyone?
Number One Across the Pond (17/4/20) The eight Motown albums which topped the British charts, including the tale of Three Little Girls.
Dusty Delivers (13/3/20) The first-ever Motown prime-time TV special, featuring Stevie Wonder, the Temptations, Martha & the Vandellas, the Miracles and the Supremes, and made in Britain, with Dusty Springfield hosting.
The French Connection (8/11/19) Gallic star Richard Anthony is thrilled to sign; the Velvelettes become the first Motown act to record in French.
Of Bananas and a Bible (13/12/19) Marvin hurls the good book and misses a royal date, while Diana shoots an “illegal” video.
The Second Time Around (25/10/19) Jimmy Ruffin takes the Top 10 twice with the same record: just one of many reissues popular in the U.K. “I got a lot of criticism,” says the man responsible.
Hitsville’s Highs in Britain (4/10/19) “Superstition” or “All Night Long (All Night)”? Which is the more popular, how and why?
Rocket Engineering, Motown Propulsion (31/5/19) The man who became Elton John’s manager – and lover – had previously earned his stripes for Motown. “You could put out a record one week,” he told me, “it’d be in the charts the next. The speed, that was the excitement.”
Mad Love and the Motown Troubadours (23/11/18) Dave Godin and John Schroeder, early evangelists for the Sound of Young America.
The London American Legend (19/10/18) Motown’s dawn at Decca with Mimi, Milne and Hall. “Please acquire if possible.”
Motown in Montreal (20/7/18) First in their class, Motown U’s music majors. Then comes the phone call from the NAACP.
Shop Around (20/4/18) Record store days in Clifton, when the price of “Your Precious Love” was seven shillings and four-and-a-half pence.
Loved by People Living so Far Away (13/4/18) Tamla Motown travels to the City of Light, and no words are minced.
Where will Stevie sit? (23/3/18) A storied Detroit journalist goes along for the ride. “You sensed that Motown had no sense of rank.”
Motown Crosses the Atlantic (9/3/18) Visiting Europe, and taking a chance in East Berlin. Berry, Barney and Esther in search of business partners.
Tamla Motown Is Hot, Hot, Hot! (9/2/18) Radio and records (and pirates) in the Netherlands. Pete Felleman proves his worth.
A night to remember (13/11/17). Four Tops: fellowship, loyalty, longevity, integrity. A London crowd gets to its feet, fast.
RELEASES, RE-RELEASES, REVIEWS
A Quintet in California (27/1/23) It was Motown’s first full calendar year in California, and the stakes were high. WGB looks at some of 1973’s album releases, aside from the obvious. Say hello to Gloria, among others.
Back to the Workshop (11/11/22) A rarity from jazz drummer Roy Brooks get a vinyl comeback, reminding the music world of Motown’s brief adventure with a jazz label. And what were the hopes for Alex Kallao?
Mellowing Motown Out (20/5/22) Mood music for a new generation? “It’s one of the strangest things I’ve heard,” says one respected DJ. “By listening to Lo-fi music,” says one student of the genre, “you are helping the brain to focus.”
A Second Sunrise for Stoney & Meatloaf (3/6/22) A rare reissue from Motown’s Rare Earth label, featuring the youthful talents of Shaun Murphy and Marvin Lee Aday (yes, their real names).
Instruments of Truth (15/4/22) The story behind All Turned On!, a compilation of Motown instrumentals, including (of course) Eivets Rednow. The set was actually first planned years earlier.
More Motown Girls (20/8/21) The latest retro compilation from Britain’s Ace Records, including previously unissued tracks by Martha & the Vandellas, Brenda Holloway and Connie Haines, together with Keith Hughes’ detailed, essential liner notes.
Another Visit to the Cellar (11/9/20) The latest volume of A Cellarful of Motown! from the U.K. with rare and previously-unreleased material from 1962-72. Who’s Anita Knorl?
Motown ’69: Yesterday’s Dreams (6/12/19) Examining the virtues of Motown Unreleased, spiced with some backstories. Shadee who?
Tribute to a King (15/3/19) The influence of Nat Cole, and the homage that Marvin paid.
From The Vaults (14/12/18) Six apiece from Paul Petersen and Billy Eckstine, among the other delights of Motown Unreleased 1968. Where did Stevie leave his heart?
The Summer of ’68 (31/8/18) A dozen new albums, at a difficult time. Just one blockbuster, it turns out.
More Motown Girls (2/3/18) Sisters (Brenda and Patrice, Helen and Kay) and many others. Ace Records plays its cards right
Soul on Fire (1/12/17) Down Detroit’s rabbit holes with rarities from Robert West’s Kudo, Contour and LuPine labels.
At 45, the ‘Book’ of Wonder (27/10/17) Recording studios in New York and London shape a masterpiece, but Jeff Beck loses out.
Songs In The Key of Fish? (24/8/17) Another Motown president, another new deal – this one for $1.6 million per album.
AWARDS AND CHARTS
Breaking Out of Detroit – or Not (5/4/24) The hits that were bigger in Detroit than on the national charts – and one or two might surprise you. “As Long As There Is L-O-V-E Love,” anyone?
The 101+ Club (1/3/24) A round-up of all the Motown acts who at one time or another reached Billboard’s “Bubbling Under” chart, but no higher. Smokey Robinson was a longtime member of the club.
Hits for the Long (Playing) Run (17/3/23) An accounting of all the Motown albums which reached the Top 20 of Billboard’s all-important LP chart, beginning with Little Stevie Wonder’s Recorded Live/The 12 Year Old Genius in 1963.
The Reign of Hitsville U.S.A. (3/3/23) An accounting of all the Motown singles which reached the Top 20 of Billboard’s all-important Hot 100 chart, beginning with “Shop Around” in 1961.
Top 10 Titans (13/8/21) The Motown superstars who sold the most albums during the company’s golden age. If you think you know Number One on that particular ranking, can you be sure of who’s Number Two?
Flipping Motown’s Hits (11/6/21) The many charted B sides of Motown hits (“Dad, what’s a B side?”) are listed and explored in this Hot 100 rundown. As of this writing, it’s 60 years since the company’s first flip hit by (who else?) the Miracles.
Motown’s Number Ones, Part 2 (7/8/20) The second sweep of the singles which triumphed on the Billboard pop charts, with the recollections of the music makers and some insights into which of these Motown jewels are still played on the radio.
Motown’s Number Ones (31/7/20) The singles which topped the Billboard Hot 100, coupled with the reflections of those who made them. And thanks for your comments, Mary and Claudette.
The Chart Toppers Club (27/3/20) A look at the nine Motown titles which topped the primary Billboard album charts from 1963-86.
Say What? The Word is Oscar (8/2/19) Lionel and Stevie give Jay Lasker tsuris. And the winner is…
Motown’s Winners and Losers (16/11/18) A Grammy accounting. Smokey wasn’t even nominated until 1979. Really?
Motown’s All-Time Top 50: Discuss (28/9/18) From “Please Mr. Postman” to “Endless Love,” chart-toppers all.
‘What It All Has Meant’ (3/8/18) “A new label destined to take its place among the leaders of the industry.” And reducing the idea of a colour line to absolute absurdity.
A ‘Box’ of Different Number Ones (27/7/18) Higher ground in the other music trade weekly, with a total of 22 triumphs. The Cash Box rings!
Number Two with a Bullet (8/6/18) Why do some Number One records – seventeen of them, in fact – only reach No. 2? Robbed, they were. Robbed!
BOOKS, MOVIES, MUSICALS, WEBSITES
Hollywood, Wild and Wooly (22/3/24) In his new autobiography, actor Billy Dee Williams recalls working with Diana Ross, among other connections that he had with Motown. Rick James was a buddy, too.
That Ticking Clock (1/12/23) Motown Treasures keeps the flag flying, even if there are fewer to salute it. Meanwhile, Blinky has her own reasons to be grateful.
Let’s Hear It For…Ed Sullivan! (21/7/23) How TV’s master host helped Motown to make its mark in the mainstream, as a new documentary film and digitally restored clips reinforce his legacy.
Sweeter as the Days Go By (17/2/23) The work of artist Ernie Barnes became recognised worldwide via Marvin Gaye’s I Want You album cover. A recent auction of that artwork has made its creator’s paintings even more valuable, including another Motown-related image, once owned by The Boss.
Detroit’s Soulful Anniversary (13/1/23) Recognising the remarkable 21 years of SoulfulDetroit.com, the online forum where the worldwide Motown community shares knowledge and opinion, candidly and comprehensively.
Gladys, Night and Day (2/12/22) The autobiographical account of the life of the Marvelettes’ Gladys Horton, adding colour and candour to the chronology of Motown Records.
A ‘Life’ of Motown (25/11/22) America’s Life magazine publishes a special edition devoted to Motown, drawing on familiar photos and stories from the past 60 years, undimmed by time.
The Curious Reader Part 1 (16/9/22) and Part 2 (23/9/22) Looking for something to read? Here’s a chronological listing of (with luck) all the books written so far about Motown. Plus, the top five titles voted by the West Grand Blog crowd.
Passing the Torch (15/7/22) The tale of a Temptation. Well, of the actor who played one in the American roadshow of Ain’t Too Proud. That’s Harrell Holmes Jr., recreating the life and times of the Temps’ “wake-the-devil” bass baritone, Melvin Franklin.
A Tale of Two Smogs (8/7/22) The story behind one of Berry Gordy’s first major-newspaper interviews, back in 1971. Respected author and journalist, Philip Norman, wrote eight pages on “Black Gold: The Story of the Motown Millions” for Britain’s Sunday Times.
Choices. Intimacy. Respect (29/10/21) It’s tough to be a recording artist who feuds with her label while romantically involved with one of its principals. Freda Payne recalls her days with Invictus Records, plus that earlier occasion when, but for her mother, she would have signed to Motown
Listen Up! (4/12/20) Words on paper or a voiced narration? There are more Motown audiobooks than ever to choose from, including Smokey Robinson’s latest tell-all.
A Northern Soul (28/8/20) The idiosyncratic founder of Britain’s Tamla Motown Appreciation Society, Dave Godin, is profiled in a new book.
Words Can’t Possibly Describe – But Try (26/6/20) The stars of music and showbiz who wrote liner notes for Motown albums. Step forward, Tony Bennett, Sammy Davis Jr., Carol Channing and Elton John, to name but a few. Oh, and Huey P. Newton.
Words Worn on Their Sleeves (12/6/20) The world of Motown album liner notes, and their many different authors.
Dozier’s ‘Sweet’ Reflections (15/11/19) Lamont looks back, personally as well as professionally. Plots and wives make appearances.
Back in Their Arms Again (11/10/19) The Hollands dig deep into their history. “I thought ‘Baby Love’ was the stupidest title I ever heard,” writes Eddie, for instance.
‘Hitsville’ Under the Microscope (6/9/19) Four authors pass judgement. The documentary is “not about Motown as much as it’s a continuation of Motown,” offers one.
T.C.G. (Takin’ Care of Glamour) (30/8/19) Mary Wilson talks about the Supremes’ costumes and the couturiers who fashioned them.
The Making of a Motown Movie (23/8/19) Hitsville comes to screens large and small, with subtleties and minutiae. What do you think, Ralph?
Feeding an Addiction (22/3/19) Motown on the worldwide web, for junkies and more. In other words, opinions worth sharing.
For $10,000, a book disappears (11/1/19) Al Abrams and the fate of a manuscript. Mike Roshkind pays to keep control.
Showtime! The Apollo Tale, Retold (15/6/18) It’s a graphic novel, and more. One such detail: the theatre paid $7,000 for a week of the Motor Town Revue in 1962.
Legacies, ladies and symphonies (17/11/17) Three new books add to the sum of Motown knowledge.
Seduction by Stateside 228 (14/10/17) A book launch at the Motown Museum, and even Martha – eventually – seems to approve.
Once in a Great City (13/8/17) A Pulitzer prizewinner digs deep into Detroit, and Paul Riser gets his due.
To be a pilgrim (17/6/17) The joys of a discography: an article of faith, a tablet from the mountain top.
IMAGES, STYLE, POLITICS AND RACE
Apart and Together (10/3/23) Musically, socially and racially, Motown changed a nation – and the world. But it encountered plenty of racism and prejudice along the way. And no, Berry Gordy didn’t lose the company in a card game.
The Young Folks (6/8/21) What’s the image of a political candidate, and why does Motown care? Detroit’s Coleman Young was evidently important enough for the creation at Hitsville of two songs to help his campaign, recorded by the Originals. Get on board the Young train!
Above and Beyond (2/7/21) On walls around the world, painters are inspired to capture Motown’s stars. How about 10,000 square feet of Stevie, on a listed building, no less?
Shooting for the Stars, Smiling for the Camera (6/11/20) First, there was the music. Then, there was the look. These were the photographers responsible, from New York to Detroit. Who can forget Marvin Gaye in his back garden?
An Archbishop Here, a President There (1/5/20) Motown stars photographed in unlikely company, in London, New York and Washington, DC. Also, time for a game of chess, Diana?
The Look of Young America (26/7/19) The power of photography and the art of Hitsville, highlighted in an exhibition in France. Toe Fat, anyone?
Skateboarding with Marvin (17/5/19) Photographer Jim Hendin’s adventures at Hitsville, including that album cover.
Who’s Tommy? The Image Shaper (1/2/19) A snazzy dresser, a fear of flying – and Motown college rings.
The Power of Soul, R&B, Funk (12/10/18) The work of photographer Bruce Talamon, including a mother and her sons at breakfast.
From the Donovan Files? (7/9/18) Motown images fetch a fancy price, but who was Dolores Coleman?
A Bolt of Illumination (23/2/18) Backroom believers come into the light, save for the Funk Brothers, of course.
Of supermen, pipes and barking dogs (28/2/17) Stevie’s in a box, and Marvin is not impressed (or was he, after all?)
PLACES
Motown West: Sunrise (18/8/23) Hitsville U.S.A. opens in Los Angeles for the first time, recruiting Marc Gordon and Hal Davis to run the joint. Brenda Holloway blossoms as their first star.
Mansions of Motown (9/12/22) The properties of hitmakers, worth more than a few shillings. Up on the cliff or down by the beach? And back in Detroit, Martha Reeves hopes to have her original home restored.
A Culture in Motion (1/7/22) Celebrating the Motortown Revue, 60 years on, as the Motown Museum visually charts this historic roadshow, along Detroit’s riverfront.
By the Grace of God (1/10/21) Near-death accidents involving three of Motown’s finest and, tragically, one fatality. On the road or in the air, it can be hazardous out there, as Stevie Wonder can certainly attest.
Dancing into History (10/9/21) One of Detroit’s most popular ballrooms, where Berry Gordy had once danced, became part of the growing Motown business. Who won the “Battle of the Stars”?
A ’tail of Mondays (2/9/19) How Detroit’s Roostertail helped Motown and its artists gain confidence and break barriers. And they did like Mondays.
A Visit to the Museum (21/6/19) A pilgrim takes in Mecca, from top to bottom. No gambling during working hours, please.
No Harmony Here (24/5/19) The Motor Town Revue stirs the crowds, but in the wrong way.
Library of the Soul (22/6/18) The Library of Congress’ National Recording Registry adds “My Girl” as an aural treasure “worthy of preservation.”
Detroit 2017: a new British invasion (19/10/17) A gaggle of Motown acts get going to a go-go, including Tip-Top Talent winner Carolyn Crawford.
Ticket to ride (1/9/17) Motown’s 1968 sales convention, an unusual bus tour, and Cindy’s debut in Detroit.
Detroit ’67 (20/7/17) Kathryn Bigelow’s movie brings back memories. “Boys and girls, there’s some trouble out there,” warns Martha.
LOOKING AHEAD, AND BACK
A Motown Timeline: 1966 (29/3/24) The company is at its creative peak, and reaping benefits from the momentum of its 1964-65 commercial impact at home and abroad. “The Sound of Young America” becomes a timely slogan; there’s some bread for sale, too.
Forever Young? (19/1/24) The Motown legacy greets 2024, from Diana Ross and Smokey Robinson to Mickey Stevenson and, yes, George Clinton.
A Motown Timeline: 1959 (12/1/24) The year it all began, with the help of that loan. And did Berry Gordy make it to the Graystone to catch Jackie Wilson, the night before the family approved the $800?
Motown ‘23: Macro and Micro (15/12/23) The onetime citizens of Hitsville U.S.A. and how they carry the torch forward. “I still love being a Temp,” says Otis Williams. Berry Gordy bred quite a work ethic in his stars.
Merry Motown Christmases (8/12/23) What the holiday season meant at 2648 West Grand. A number of the songs live on, even if Suzette doesn’t.
A Motown Timeline: 1981 (10/11/23) A significant exit, another new president, and the classic catalogue returns in midline form. Stevie makes headlines, Rick returns to the bigtime, and Smokey enjoys his biggest hit in years, on both sides of the Atlantic.
A Motown Timeline: 1973 (15/9/23) The company’s first full calendar year in Los Angeles, and a new president, Ewart Abner, for the record division. To boot, he gets new albums from Stevie, Marvin, Smokey and Diana.
West Grand’s Greatest Hits (8/9/23) A week-by-week, up-to-date guide to the Boulevard. That is, a look at the most popular West Grand Blog posts since the beginning.
A Motown Timeline: 1965 (11/8/23) The company’s most successful year to date, as the Supremes explode and the Tamla Motown label is launched internationally. Plus, the Motown Revue crosses the Atlantic.
Keeping Faith with Tamla (23/6/23) The historic label makes a return visit, which prompts this look back at its history (remember Debbie Reynolds?) and its logo style.
The Class of ’71 (12/5/23) Another extraordinary year in Hitsville history: Marvin, Stevie, Michael, the Funks. Not to mention that “ultra-white, ultra-rich giant,” which wanted to eat Motown’s lunch
Motown’s (Most?) Momentous Year (28/4/23) When a Beatles album helped the company’s finances, Holland/Dozier/Holland began crafting the hits, and Little Stevie delivered a first.
The Gospel of 2022 (23/12/22) Sadness and joy in this annual summary, including a Motown queen’s performance for British royalty, and the last edition of Janie Bradford’s Heroes and Legends Awards.
Neon Lights (and No Psychiatrist) (22/7/22) An account of the many Motown musicals staged before, and after, Motown The Musical. The late Lamont Dozier wrote the music for no fewer than three of them.
Hitsville ‘21: Looking Back (26/12/21) Another remarkable 12 months of classic Motown activity, with major stars keeping busy (Covid-19 allowing) and a honour for the chairman. Plus, sadly, too many departures. We miss you, Mary, Wanda, Marilyn and more.
The Lasting Legacy: Motown 2021-22 (25/6/21) On film, on tour, on disc, and even on cassette: the stars of Hitsville continue to deliver. It’s a good, good feeling.
Reflections on the Year Ahead (8/1/21) Rescheduled touring and any number of anniversaries, plus the prospect of a new Motown exhibit at the Grammy Museum. With luck, it’ll be a bright future.
That Was the Year That Was (18/12/20) Whichever way you pronounce it, 2020 was a year which won’t be forgotten. Smokey, Stevie, Otis and Lionel were among those who made sure of that. “I want the world to get better.” Amen, Stevie, amen.
Motown 2020 — Plan B (3/7/20) In a difficult year, stars reschedule their concert appearances and make their voices heard, while the Motown Museum plans its re-opening.
On the Road Again (and Cruisin’) (17/1/20) Motown stars on the road in 2020, celebrating their own anniversaries. Malt shop memories, anyone?
Music, Moments, Milestones (20/12/19) Motown 60 under review, from Berry Gordy Square to Marvin Gaye Park, and many other stops along the way.
Motown 60: The Second Half (12/7/19) Anticipating books, events and the first official documentary film.
Six Months of Motown 60 (28/6/19) The Tempts’ tale on Broadway, a Grammy celebration, Marvin’s “lost” album, Diamond Diana – and the Power of Zeus.
Motown: The Year Ahead (18/1/19) Looking forward to Ain’t Too Proud, and wondering about Joe (“We fix bayonets and go into the trenches”) Isgro.
Rear View Mirror: Motown 2018 (21/12/18) Departures, dreams, inspirations and the Unreleased. Adieu, Dennis, Wah Wah, and Chank.
Pre-Motown: The 8 of ’58 (26/10/18) The Gaylords (really?), Eddie and “Briant” Holland, and Bob Kayli.
The 8 of ’58: Part 2 (2/11/18) The Miracles, “Lonely Teardrops,” Tom Clay and Marv Johnson.
Remember the Time (1/6/18) New music from the Temptations and Brenda Holloway, rarities by Bobby Darin, and Russ Regan takes his leave.
20 Motown Milestones (12/1/18) From January 12, 1959, when $800 changed history, to March 11, 1969, when the next generation got suited and booted.
20 Motown Milestones, Part II (19/1/18) From January 14, 1970 – that “two-for-one stock split” – to $61 million for all the stock (Jobete excepted).
Motown 2018: ‘Show Me The Way’ (5/1/18) A busy year for Yanks and Brits, visiting The D. And Lionel moves on up with a Curtis Mayfield movie.
Memorable Motown Moments of 2017 (22/12/17) Claudette celebrates at the Grammy Museum, even as Pete Moore departs. “It took us about three days to write it,” he once said of “The Tracks Of My Tears.”